Camila, after a couple of months of the loss of her parents, continues to mourn during the Day of the Dead, the colorful and festive traditions do not do justice to the loneliness and helplessness.

Amparo, a mysterious woman, offers a large payment to quickly cremate a young woman named Lucia. When the funeral home owners refuse, they later discover the body has vanished and, in panic, give Amparo another person’s ashes instead. She pays and leaves, unaware that this mistake will lead the undertakers into the worst trouble of their lives.

What do you tell your dead parents? Combining family archives and glimpses of today, the filmmaker weaves together fifty years of his life and the socio-political history of Chile. The montage wanders through the ages, between light and shadow, without ever leaving the joy. 　　[FR] Que raconter à ses parents morts ? Associant archives familiales et éclats d’aujourd’hui, le cinéaste entrelace cinquante ans de sa vie et d’histoire sociopolitique du Chili. Le montage divague à travers les âges, entre ombres et lumières, sans jamais quitter la joie.

During a Day of the Dead celebration, the dead come to life to prey upon the living. In the remote Mexican village of Santa Bonita, a nightmare lay buried for over a century. But when a group of hard-partying students from the OC are stranded in this strange town, they discover an innkeeper with a dark secret a sheriff with a shocking past and a holiday that demands the most horrific sacrifice of all. Now the ceremony can commence. The hordes of the undead have been unleashed. And on this day, an unstoppable feast of human flesh has begun!

UN DÍA DE MAYO (Becoming Mayo ) explores the emotional journey of Mayo, a young man burdened by unresolved trauma, who must confront his painful past to reclaim his passion for painting and embrace love. The film delves into the healing process, showing how creativity and vulnerability can break the barriers of fear and guilt.

The grass men - That's my duck! - Silence, Dvorak! -Kill that fly - Eat grass - Walkie Talkies - Fly fishing - The fan episode - Tourists under the bridge - The boat has a life of its own! - An American Anthem - The Canoe Ride Some blond idiots - Photo! - Hit the partner - Buckets falling from the sky! - Hunting in the mountains - The car has spasms - A flying umbrella! - Kicks in the butt - The top of the mountain - Tire throwing - The car goes alone! To catch a wheel - The river - A Cordovan quartet - Conservative throw - The water wells - Combat with umbrella - Trap with towel - Hip break - Gomerazos - Some children in the river - Drowning Kill the partner - A heron in the waterfall - Cross the river - He's a man of grass! - A shotgun for a deck chair - Shoot your neighbor - Aaaahhhh !!! - The last laugh - Dying, reviving and dying forever on the mountain

Vargas, a 54 year old man, gets out of jail in the province of Corrientes, Argentina. Once released, he wants to find his now adult daughter, who lives in a swampy and remote area. A deep mystery surrounds him.

Elda Neyis Mosquera, aka Karina, was the only guerrilla woman to have led a Front. She was a romantic, idealistic and loving woman. But when she went to court, she was charged with atrocious crimes. However, things could have happened differently. She could have married and had children with Daniel, a fellow guerrilla. But Elda decided to follow the orders of his superiors and killed him because he was an infiltrator. Since then, she struggles to find forgiveness.

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